{"id":1791,"date":"2025-05-28T14:29:50","date_gmt":"2025-05-28T21:29:50","guid":{"rendered":"https:\/\/morganrichter.net\/blog\/?p=1791"},"modified":"2025-05-31T16:04:35","modified_gmt":"2025-05-31T23:04:35","slug":"the-understudy-the-playlist","status":"publish","type":"post","link":"https:\/\/morganrichter.net\/blog\/the-understudy-the-playlist\/","title":{"rendered":"THE UNDERSTUDY: The Playlist"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"573\" src=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-12.44.49\u202fPM-3-1024x573.png\" alt=\"\" class=\"wp-image-1792\" style=\"width:580px;height:auto\" srcset=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-12.44.49\u202fPM-3-1024x573.png 1024w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-12.44.49\u202fPM-3-300x168.png 300w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-12.44.49\u202fPM-3-768x430.png 768w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-12.44.49\u202fPM-3-1536x859.png 1536w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-12.44.49\u202fPM-3-2048x1146.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>My novel THE UNDERSTUDY <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/731133\/the-understudy-by-morgan-richter\/9780593685709\/\" target=\"_blank\" rel=\"noreferrer noopener\">will be in bookstores on August 5th, 2025<\/a>. A thriller set in the New York City opera world, THE UNDERSTUDY centers on the increasingly volatile rivalry between a pair of dueling divas locked in a mortal battle for the lead role in a new opera based on the 1967 sci-fi cult film <em>Barbarella<\/em>: Kit, who is a driven perfectionist, and her charismatic understudy Yolanda, who is a homicidal time bomb.<\/p>\n\n\n\n<p>What I\u2019ve prepared here isn\u2019t so much a playlist of songs to listen to while reading THE UNDERSTUDY&#8211;though if that\u2019s your thing, by all means go for it!&#8211;as it is a glimpse into my thought processes as they relate to the book. In other words, if you&#8217;re interested in reading THE UNDERSTUDY, this list might give you a sense of what you might be getting yourself into. Some of these songs are there because they bridge the gap between classical opera and contemporary music (sometimes this is done with impeccable style, as when En Vogue whips out a sleek-yet-cheeky riff on <em>Carmen<\/em>, and sometimes this is done in the most chaotically unhinged manner possible, as when Malcolm McLaren hurls his entire bag of tricks at <em>Madame Butterfly<\/em>), while other songs are simply meant to invoke the atmosphere of my book, which, in addition to being about the opera world, concerns itself with crime, sex, buried secrets, betrayal, vengeance, and murder. All the plot twists near and dear to classic opera, in other words.<\/p>\n\n\n\n<p>Also there\u2019s some Duran Duran on the list, because&#8230; well.<\/p>\n\n\n\n<p>Here\u2019s the master Spotify playlist; the hyperlinked titles within the post go to individual YouTube videos.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: THE UNDERSTUDY playlist\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/7mXDrOXTAL7CgZxC0GIkjz?si=DSebpX0JSEi1U-XNgCIsjA&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=RKJur8wpfYM\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cDies Irae\u201d from Mozart\u2019s <em>Requiem<\/em><\/a>&nbsp;<\/h2>\n\n\n\n<p>The classical piece <em>Requiem<\/em> is my default background music whenever I\u2019m pounding out an early draft of any bit of writing. I have the attention span of an overcaffeinated squirrel and thus get distracted by lyrics, so I prefer to draft while listening either to instrumentals or pieces sung in a language I do not speak; <em>Requiem<\/em> is in Latin, so that works out nicely. The entire hourlong piece is sublime, but if compelled to pick a favorite section, it\u2019d have to be the brilliant, bombastic \u201cDies Irae,\u201d which could be the most dramatic two minutes of music ever written. When I was a film major at USC, I scored one of my student films to \u201cDies Irae.\u201d We were required to submit written feedback on on each film viewed in class; one of my classmates wrote that he was angry I\u2019d used this piece because he had an idea for a film, to be made at some nebulous point in the future, that he had planned to score to it, and his film would have been better than mine, and thus he felt I had robbed him of his chance by using \u201cDies Irae\u201d first. He was not joking. Film school was <em>wild<\/em>.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=HmLk2vSXXtk\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201c<\/strong>Total Eclipse\u201d by Klaus Nomi<\/a><strong>&nbsp;<\/strong><\/h2>\n\n\n\n<p>Pour one out for talented, tragic oddball\/1970s East Village art-scene mainstay Klaus Nomi, who put his opera training and six-octave range to glorious use on this 1981 New Wave dance number about how we\u2019re all going to get vaporized in a nuclear war. (In the first half of the 1980s, roughly one out of every five New Wave songs featured that exact same theme.) Nomi was a countertenor, which is the highest male vocal range. In \u201cTotal Eclipse,\u201d he starts quite low in his chest, so when he suddenly busts out those dizzyingly high notes for the chorus, it sounds unreal in the best possible way. It\u2019s a song that requires a virtuoso singer; I can\u2019t imagine anyone without classical voice training pulling this one off. In 2001, Soft Cell\u2019s Marc Almond paired up with German pop duo Rosenstolz for <a href=\"https:\/\/www.youtube.com\/watch?v=rmQ5i4UuSvw\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=rmQ5i4UuSvw\" target=\"_blank\" rel=\"noreferrer noopener\">an excellent cover of \u201cTotal Eclipse,\u201d<\/a> which they performed as a tag team: Almond handled the verses, while Rosenstolz\u2019s AnNa R. used her pristine soprano range to tackle the high notes.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"596\" src=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.13.22\u202fPM-1024x596.png\" alt=\"\" class=\"wp-image-1802\" style=\"width:400px;height:auto\" srcset=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.13.22\u202fPM-1024x596.png 1024w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.13.22\u202fPM-300x175.png 300w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.13.22\u202fPM-768x447.png 768w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.13.22\u202fPM-1536x894.png 1536w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.13.22\u202fPM-2048x1192.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=6oqJ0JpMj6I\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=6oqJ0JpMj6I\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cA Girl Like You\u201d by Edwyn Collins<\/a>\u00a0<\/h2>\n\n\n\n<p>If Yolanda in THE UNDERSTUDY had a ringtone (&#8230;I know, no one has ringtones anymore, I\u2019m old), this would be hers: Collins\u2019s slinky, sinister song from 1994 about some poor dupe who gets mixed up with an irresistible woman who might be the devil. It\u2019s a great song, and the best thing about it is the way Collins, much like the various lovesick saps who have seen their lives wrecked by Yolanda, seems to be richly enjoying his fall into depravity and despair.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=YCxJ05-pjKA\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cGlitter and Be Gay\u201d from Leonard Bernstein\u2019s <em>Candide<\/em><\/a>&nbsp;<\/h2>\n\n\n\n<p>This aria, sung by a kept woman who chafes at her gilded cage while secretly taking a fierce joy in the over-the-top luxury that surrounds her (\u201cI have no strong objection to champagne,\u201d she muses), is the song Kit performs a cappella at a key moment in THE UNDERSTUDY. It\u2019s a notoriously tricky piece, even for experienced singers; that Kit was able to set down her glass of wine, rise to her feet, and sing it flawlessly without any preparation speaks to her impeccable training and technique.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=u1xrNaTO1bI\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cPersonal Jesus\u201d by Depeche Mode<\/a>&nbsp;<\/h2>\n\n\n\n<p>If I could pick one style of music to permanently eradicate from the world, it\u2019d be the breathy, slowed-down, near-tuneless cover versions of thumping good songs that seem to be omnipresent these days. Sometimes I\u2019ll adopt that style of singing solely to annoy my sister, who shares my sharp distaste for it (she stopped watching the 2021 <em>Black Widow<\/em> film when a tortured, anemic cover of \u201cSmells Like Teen Spirit\u201d kicked in during the opening credits). I\u2019ll gasp and mumble my way through, say, some old-school Depeche Mode, just to be obnoxious. Inspired by my bad behavior, in THE UNDERSTUDY, the singer who takes the stage just before Yolanda at a cabaret club chirps out a ghastly rendition of \u201cPersonal Jesus,\u201d which is a great song that deserves much better than the fate I give it in the book.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"674\" src=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.23.16\u202fPM-1024x674.png\" alt=\"\" class=\"wp-image-1804\" style=\"width:347px;height:auto\" srcset=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.23.16\u202fPM-1024x674.png 1024w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.23.16\u202fPM-300x197.png 300w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.23.16\u202fPM-768x505.png 768w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.23.16\u202fPM-1536x1011.png 1536w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.23.16\u202fPM-2048x1348.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=dtnrPXxhynI\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cBewitched, Bothered and Bewildered\u201d by Ella Fitzgerald&nbsp;<\/a><\/h2>\n\n\n\n<p>In 1956, Fitzgerald sang this oft-recorded standard from the musical <em>Pal Joey <\/em>by Rogers and Hart better than anyone else could. No one\u2019s ever going to take her crown, but Yolanda gives her a run for her money in THE UNDERSTUDY when she croons it at the cabaret club. Her performance makes Kit realize that, while Yolanda has some gaps in her opera training, she\u2019s a ferociously talented singer.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=35L5K65cXCE\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cThose Dogs\u201d by En Vogue<\/a>&nbsp;<\/h2>\n\n\n\n<p>If I had to name the single best-known aria in the world, a very safe pick is \u201cHabanera\u201d from Bizet\u2019s <em>Carmen<\/em>: This piece gets used <em>everywhere<\/em> in pop culture, from <em>Sesame Street <\/em>to <em>Superman Returns<\/em> to <em>Up<\/em> and hundreds of other films and television shows. In 2000, the talented women of En Vogue whipped out their own take on \u201cHabanera\u201d with reworked lyrics (and a surprising amount of beatboxing!), and they did it with a whole lot of flair.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=4jcCwmtVAIM\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cMack the Knife\u201d by Bobby Darin<\/a>&nbsp;<\/h2>\n\n\n\n<p>The English-language version of \u201cDie Moritat von Mackie Messer,\u201d a song from <em>The Threepenny Opera <\/em>by Kurt Weill and Bertolt Brecht, rose to the very top of the charts in 1959, thanks to pop idol Bobby Darin. (A few years earlier, in 1955, the great Louis Armstrong also put his own stamp on the song). Oh, sure, the lyrics are about a series of brutal gangland murders (\u201cNow on the sidewalk Sunday morning lies a body just oozing life,\u201d Darin sings with his signature wholesome cheer), but the tune is so swanky and infectious that this song crops up in the most unlikely of places. Remember <a href=\"https:\/\/www.youtube.com\/watch?v=d5F64NuqO9o\">the surreality of McDonald\u2019s \u201cMac Tonight\u201d ad <\/a><a href=\"https:\/\/www.youtube.com\/watch?v=d5F64NuqO9o\" target=\"_blank\" rel=\"noreferrer noopener\">campaign<\/a><a href=\"https:\/\/www.youtube.com\/watch?v=d5F64NuqO9o\"> in the late 1980s<\/a>, in which \u201cMack the Knife\u201d\u2019s gritty lyrics about knifings and bloodstains and cement shoes were reworked into a catchy ditty about hamburgers? And how it was sung by a sunglasses-wearing lounge lizard who had a gigantic crescent moon for a head? Anyway, both for the opera connection and for reasons that I can\u2019t possibly go into without delving into spoilers, \u201cMack the Knife\u201d seems like a fitting song for THE UNDERSTUDY.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.19.33\u202fPM-1024x678.png\" alt=\"\" class=\"wp-image-1803\" style=\"width:343px;height:auto\" srcset=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.19.33\u202fPM-1024x678.png 1024w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.19.33\u202fPM-300x199.png 300w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.19.33\u202fPM-768x508.png 768w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.19.33\u202fPM-1536x1017.png 1536w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.19.33\u202fPM-2048x1356.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=N86nxxZW6UY\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cDon\u2019t You Know\u201d by Della Reese&nbsp;<\/a><\/h2>\n\n\n\n<p>Detroit-born star Della Reese&#8211;gospel singer, ordained minister, talk show host, and star of the long-running CBS series <em>Touched by an Angel<\/em>&#8211;scored a big pop hit in 1959 with her rich, soaring vocals on \u201cDon\u2019t You Know,\u201d an English-language version of \u201cMusetta\u2019s Waltz\u201d from the Puccini opera <em>La Boh\u00e8me<\/em>. \u201cDon\u2019t You Know\u201d reached number two on the US pop charts. You know what kept it from taking the top spot? Bobby Darin\u2019s \u201cMack the Knife.\u201d 1959 was a huge, huge year for opera songs doubling as lively pop numbers.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=U7QCtPZ3pTg\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cHello Earth\u201d by Kate Bush&nbsp;<\/a><\/h2>\n\n\n\n<p>Never an opera singer yet always operatic, singer-songwriter and music virtuoso Bush is probably best known these days for \u201cRunning Up That Hill\u201d from 1985&#8217;s <em>Hounds of Love<\/em>. My favorite track from that album, though, is \u201cHello Earth,\u201d a haunting and ethereal piece about staring up at the sky while drowning. To add to the eerie and off-kilter atmosphere, a chunk of a Georgian folk song titled \u201cTsintskaro\u201d is stitched right into the center of \u201cHello Earth.\u201d \u201cHello Earth\u201d was used in the cult-favorite <em>Miami Vice<\/em> episode \u201cBushido,\u201d which is the one in which Castillo wields a samurai sword and battles a Tommy-gun-toting KGB agent named Surf. I made <a href=\"https:\/\/youtu.be\/bMWGKn6yUfk?list=PLKR6ukp6TKrnseRTVQW5tR6GQm8zljaD_\" target=\"_blank\" rel=\"noreferrer noopener\">over a hundred YouTube videos<\/a> drilling home this very point, but holy smokes, <em>Miami Vice<\/em> was a weird, bleak, dazzling beast of a series. A stranger with impeccable taste contacted me out of the blue last week after having read a synopsis of THE UNDERSTUDY to say that, while he thinks an opera based on <em>Barbarella<\/em> is a terrific idea, an opera based on \u201cBushido\u201d would be much cooler. I am inclined to agree.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=MK1g5dMYR3s\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cElectric Barbarella\u201d by Duran Duran<\/a>&nbsp;<\/h2>\n\n\n\n<p><em>Of course<\/em> there\u2019s going to be a Duran song on this list, and in light of THE UNDERSTUDY\u2019s <em>Barbarella<\/em>-themed opera, it makes sense that it would be \u201cElectric Barbarella,\u201d their cheerily seedy, sleazy 1997 ode to a sexy robot. (I almost went with \u201cGirls on Film,\u201d honestly, but it\u2019d be tricky to explain my reasons without dipping into spoilers.) Model Myka Dunkle plays Barbarella in <a href=\"https:\/\/morganrichter.net\/blog\/duranalysis-duran-duran-electric-barbarella\/\" data-type=\"post\" data-id=\"521\" target=\"_blank\" rel=\"noreferrer noopener\">the \u00fcber-tacky video<\/a>, and she looks like my mental picture of Yolanda, all big shiny hair, glossy lips, and cleavage for days.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"764\" src=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.08.38\u202fPM-1024x764.png\" alt=\"\" class=\"wp-image-1801\" style=\"width:327px;height:auto\" srcset=\"https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.08.38\u202fPM-1024x764.png 1024w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.08.38\u202fPM-300x224.png 300w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.08.38\u202fPM-768x573.png 768w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.08.38\u202fPM-1536x1146.png 1536w, https:\/\/morganrichter.net\/blog\/wp-content\/uploads\/2025\/05\/Screenshot-2025-05-28-at-2.08.38\u202fPM-2048x1528.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=3JN8o8-ZK5s\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cMadame Butterfly\u201d by Malcolm McLaren&nbsp;<\/a><\/h2>\n\n\n\n<p>McLaren, the music promoter and manager extraordinaire (for McLaren neophytes, this is the larger-than-life character played by Thomas Brodie-Sangster in <em>Pistol<\/em>, Danny Boyle\u2019s invigorating 2022 miniseries about the Sex Pistols), cobbled together a surprise electronic hit in 1984 with this deranged riff on the classic Puccini opera. A soprano sings the aria \u201cUn bel d\u00ec, vedremo\u201d while a male voice intones snippets of dialogue relevant to the plot of <em>Madame Butterfly<\/em>. The resulting track, as you might expect, is pretentious, impenetrable, and absurdly catchy. While McLaren\u2019s bailiwick was punk and New Wave, he delved into opera again in 1989 with an odd yet gorgeous electronic arrangement of the famous \u201cFlower Duet\u201d from the opera <em>Lakm\u00e9<\/em> by L\u00e9o Delibes for <a href=\"https:\/\/www.youtube.com\/watch?v=RVi6GgQBkwE\" target=\"_blank\" rel=\"noreferrer noopener\">a visually striking British Airways commercial<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=JTTC_fD598A\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cFirst We Take Manhattan\u201d by Leonard Cohen<\/a>&nbsp;<\/h2>\n\n\n\n<p>This is one that I kept returning to in the early stages of THE UNDERSTUDY, when I was still feeling my way through the story. I can\u2019t tell if I think the song, from Cohen\u2019s 1988 <em>I\u2019m Your Man<\/em> album, is more appropriate to Yolanda or to Kit. It\u2019s dark, ominous, and scheming, which makes me think of Yolanda, but there\u2019s something about the narrator\u2019s singleminded yet righteous quest for retribution (\u201cRemember me, I used to live for music\/Remember me, I took your groceries in\u201d) that makes me think this would be an excellent theme song for Kit.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.youtube.com\/watch?v=O5Kw41JAfG4\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cStill Loving You\u201d by Scorpions<\/a>&nbsp;<\/h2>\n\n\n\n<p>A hard rock ballad that feels like an aria: Lead singer Klaus Meine\u2019s powerful vocals and expansive range give this 1984 Scorpions hit a near-operatic sense of drama and grandeur. Delivering the heartfelt lyrics in his thick Teutonic accent, Meine spends the song repeatedly climbing up to the chorus before backing off at the last second\u2026 and then, as he draws near the end, as the power chords kick in, he finally unleashes the full might of his voice: \u201cI\u2019M STILL LOVING YOOOO-OOOO.\u201d It\u2019s a magnificent payoff. If you\u2019ve got the pipes for it, this is an extremely fun song to sing, though a word to the wise: The album version is close to seven minutes long and has a noodling guitar solo in the middle of it, so it\u2019ll tax the patience of everyone in the room if you choose it for karaoke night.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My novel THE UNDERSTUDY will be in bookstores on August 5th, 2025. A thriller set in the New York City opera world, THE UNDERSTUDY centers on the increasingly [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-1791","post","type-post","status-publish","format-standard","hentry","category-the-understudy"],"_links":{"self":[{"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/posts\/1791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/comments?post=1791"}],"version-history":[{"count":20,"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/posts\/1791\/revisions"}],"predecessor-version":[{"id":1821,"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/posts\/1791\/revisions\/1821"}],"wp:attachment":[{"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/media?parent=1791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/categories?post=1791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/morganrichter.net\/blog\/wp-json\/wp\/v2\/tags?post=1791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}